Footnotes/References

Footnotes:

1 Joost Smiers, Arts Under Pressure. Promoting Cultural Diversity in the Age of Globalization, Zed Books, London, 2003

2 Roland Barthes, La Mort de l'auteur, ('The Death of the Author'), Manteia, no 5, vol 4, 1968, in K M Newton, Twentieth-Century Literary Theory: A Reader, Macmillan, London, 1988, p 155; also in Barthes, Œuvres complètes, vol II, 1966-1973, Seuil, Paris, pp 491-495

3 Ronald V Bettig, Copyrighting Culture: The Political Economy of Intellectual Property, Westview Press, Boulder, 1996, p 109

References:

Blakeney 2002, Michael, Protecting the Cultural Exporessionsof Indigenous Peoples under the Intellectual property Law. The Australian Experience, in Grosheide 2002: 151-180

Boyle 1996, James, Shamans, Software, and Spleens. Law and the Construction of the Information Society, Cambridge MA/ London (Harvard University Press)

Collins 1993, John, The Problem of Oral Copyright - The Case of Ghana, in Frith 1993: 146-158

Coombe 1998, Rosemary J, The Cultural Life of Intellectual Properties. Authorship, Appropriation, and the Law, Durham and London (Duke University Press)

Copy/South 2006, The CopySouth Dossier, www.copysouth.org (also in Spanish)

Correa 2000, Carlos M., Intellectual Property Rights, the WTO and Developing Countries. The TRIPS Agreement and Policy Options, London/ Penang (Zed Books/ Third World Network)

Daoudi 1996, Bouziane, et Hadj Miliani, L'aventure du raï. Musique et société, Paris (Éditions du Seuil)

Drahos 2002, Peter, with John Braithwaite, Information Feudalism. Who Owns the Knowledge Economy?, London (Earthscan)

Dutfield 2002, Graham, Traditional Knowledge and Folklore, in Grosheide 2002: 63-99

Frith 1993, Simon (ed.), Music and Copyright, Edinburgh (Edinburgh U.P.)

Frow 1996, John, Information as Gift and Commodity, in New Left Review 219/1996: 89-108

Grosheide 2002, Willem, and Jan Brinkhof (eds.), Intellectual Property Law. Articles on Cultural Expressions and Indigenous Knowledge, Antwerp (Intersentia)

Hemmungs Wirtén 2004, Eva, No Trespassing. Authorship, Intellectual Property Rights, and the Boundaries of Globalization, Toronto (University of Toronto Press)

Litman 2001, Jessica, Digital Copyright, Amherst (New York/ Prometeus Books)

Lovink 2007, Geert, and Ned Rossiter (eds.), MyCreativity Reader. A Critique of Creative Industries, Amsterdam (Institute of Network Cultures)

Macmillan 2002, Fiona, Copyright and corporate power, in Towse 2002: 99-118

Malm 1998, Krister, Copyright and the Protection of Intellectual Property in Traditional Music, Music, Media, Multiculture, (Musikaliska akademien, Stockholm)

McChesney 1999, Robert W., Rich Media, Poor Democracy. Communication Politics in Dubious Times, Urbana and Chicago (University of Illinois Press)

McChesney 2007, Robert, Communication Revolution. Critical Junctures and the Future of Media, New York (The New Press)

Mitsui 1993, Tôru, Copyright and Music in Japan. A Forced Grafting and its Consequences, in Frith 1993: 125-145

Nyerere 1990, Julius K. (chairman), The Challenge to the South. The Report of the South Commission, Oxford (Oxford U.P.)

Obuljen 2006, Nina, and Joost Smiers, Unesco's Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Making It Work, Zagreb (Culturelink)

Perelman 2002, Michael, Steal This Idea. Intellectual Property Rights and the Corporate Confiscation of Creativity, New York (Palgrave)

Pérez de Cuellar 1996, Javier, Our Creative Diversity. Report of the World Commission on Culture and Develoipment, Paris (Unesco Publishing)

Rifkin 2000, Jeremy, The Age of Access. The New Culture of Hypercapitalism, Where All of Life is a Paid-for Experience, New York (Jeremy P. Tarcher/ Putnam)

Said 1993, Edward W., Culture and Imperialism, New York (Alfred A. Knopf)

Shiva 2001, Vandana, Protect or Plunder? Understanding intellectual property rights, London (Zed Books)

Shohat 1994, Ella and Robert Stam, Unthinking Eurocentrism. Multiculturalism and the Media, London and New York (Routledge)

Shulman 1999, Seth, Owning the Future, New York (Houghton Mifflin Company)

Smiers 1998, Joost, État des lieux de la création en Europe. Le tissu culturel déchiré, Paris (L'Harmattan)

Smiers 2002, Joost, The abolition of copyrights: better for artists, Third World countries and the public domain, in Towse 2002: 119 - 139

Smiers 2004, Joost, Artistic Expression in a Corporate World. Do We Need Monopolistic Control?, Utrecht (Utrecht School of the Arts)

Ströter-Bender 1995, Jutta, L'art contemporain dans les pays du 'Tiers-monde', Paris (L'Harmattan)

Towse 2002, Ruth (ed.), Copyright in the Cultural Industries, Cheltenham (Edward Elgar)

Unesco-Wipo 1998, Unesco-Wipo World Forum on the Protection of Folklore, Phuket, Thailand, April 8 to 10, 1997, Paris (Unesco)

Vaidhyanathan 2001, Siva, Copyrights and Copywrongs. The Rise of Intellectual Property and How It Threatens Creativity, New York and London (New York University Press)

Vaidhyanathan 2004, Siva, The Anarchist in the Library. How the Clash Between Freedom and Control is Hacking the Real World and Crashing the System, New York (Basic Books)

Wendland 2002, Wend, Intellectual Property and the Protection of Cultural Expressions. The Work of the World Intellectual Property Organization (WIPO), in Grosheide 2002: 102-138

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